Materiale digitale corsi



Le presenti segnalazioni riguardano il materiale digitale indicato nei testi di riferimento di corso e dei corsi a scelta: sia la documentazione liberamente accessibile, sia e-book ancora soggetti a copyright che è possibile consultare in sede (in quest’ultimo caso viene espressamente indicato).
Il materiale è suddiviso e classificato in base alle richieste bibliografiche delle singole scuole e corsi.

Perché è importante consultare questa sezione?

> perché tiene traccia delle richieste bibliografiche delle scuole non disponibili in formato cartaceo
> perché tiene traccia di tutti quei documenti “non convenzionali” che non sono né monografie, né periodici, ma report, estratti, relazioni, conference paper, ecc.

Non sono incluse le dispense di corso.


The following indications cover the digital material indicated in the reference texts of the couses and the elective subjects. It includes both free access documents and e-books available in our libraries.
The material is divided and classified according to the reference texts of each school and course.

Why is browsing this section so important?

> because it outlines the reference texts of the courses which are not available in print
> because it informs about all the "unconventional"  documents (reports, statements,
extracts, conference papers, etc.) that can be viewed on line

Lecture notes are not included. 


Scuola Arti Visive

> Tatiana Bazzichelli, The art of networking. Networking practices in grassroots communities, for the Oekonux Conference, Manchester, 2009
> Tatiana Bazzichelli, Networking. La rete come arte, Costa & Nolan, Milano, 2006
> Milton Bennet, Developmental model of intercultural sensitivity, in Kim, Y(ED) The International Encyclopedia of Intercultural Communication, Wiley, 2017
> Milton Bennet, Intercultural communication: a current perspective, Intercultural Press, Yarmouth 1998
> Almond Bodini, Narrative language of virtual reality, World VR Forum, 2016
> Pierre Bourdieu, The logic of practice, 1990
> Colin Burns, Hilary Cottam, Chris Vanstone, Jennie Winhall, Red Paper 02, Transformation design, Design Council, London, 2006
> Geerts Clifford, The interpretation of cultures, Basic Books, New York 1973
> Alton F. Everest, Ken C. Pohlmann, Master handbook of acoustics, McGraw Hill, 2001
> Jason W. Gilmore, Easy Laravel 5, 2015
S. W. Hawking, R. Penrose, The Singularities of Gravitational Collapse and Cosmology, 1969
> Erick Miller, Hyper-Real Modelling. Maya master class seminar, Siggraph 2004
> Federica Muzzarelli, Il corpo e l’azione. Donne e fotografia tra Otto e Novecento, Monteveglio, Atlante 2007
> Miller Puckette, Theory and technique of electronic music, 2003
> Kelly Shawn, Animation Tips & Tricks, vol.1, Animationmentor.com, 2008
> Kelly Shawn, Carlos Baena, Animation Tips & Tricks, vol. 2, Animationmentor.com, 2009
> Andrey Smirnov, Sound in Z. Experiments and sound in electronic music in early 20th century Russia, Koenig Books, London, 2013
> Maurizio Tedesco, Manuel Tedesco, Armando Testa: povero ma moderno, Baires produzioni, 2009
> Rodolfo Tritapepe, Linguaggio e tecnica cinematografica, San Paolo
> Typeface catalog. A‐Z openType, Mergenthaler Edition
> Why man creates: Saul Bass’ Oscar-winning animated look at creativity, 1968

Scuola Design

> G. H. Brundtland, Report of the world commission on environment and development: our common future, Oxford University Press, 1987
> Francesco Cellini, Manualetto di composizione. Norme tecniche, costruttive e grafiche per lo svolgimento di una esercitazione progettuale sul tema della casa unifamiliare, Edizioni Cluva, Venezia 1991
> Aytern Firat, Consumption, consumer culture and consumer society, in Journal of Community Positive Practices, XIII (1) 2013, pp. 182-203
> Rudiger Ganslandt, Harald Hofmann, Handbook of lighting design, ERCO edition, 1992
> James H. Gilmore, Joseph Pine, Welcome to the experience economy, Harvard Business Review, July-Aug: 1998 pp. 97-105
> William Lidwell, Kritina Holden, Jill Butler, Universal principles of design, Rockport, 2003
> Three-Dimensional Branding: using space as a medium for the message, Herman Miller, 2007
> Daryl Travis, Emotional branding: how successful brands gain the irrational edge, Prima Venture, 2000
> Silvia Zoboli, Venticinque diete di consumo culturale, in Quaderni di sociologia, n°51 (2009) pp. 39-66

Scuola Moda

> Sophie McConnell, Metropolitan jewelry, The Metropolitan Museum of Art, New York, 1991
> Dubois D., Bonezzi A., De Angelis M., Sharing with friends versus strangers: how interpersonal closeness influences word-of-mouth valence. American Marketing Association - Journal of Marketing Research, vol. LIII (October 2016), pp. 712-727

Corsi trasversali: materiale bibliografico di corsi a scelta comuni a tutte le scuole | digital material of elective subjects

Antropologia Culturale (corso in italiano)

> Thomas J. Csordas, Incorporazione e fenomenologia culturale, “Annuario di Antropologia”, Vol. III, n.3 (2003) - Corpi, pp. 19–42 
> Loic Wacquant, L’habitus come oggetto e come strumento. Riflessioni sul divenire pugile professionista, in Etnografia e Ricerca Qualitativa, 1 (2009), pp. 7-22

Cultural Anthropology (course in English)

> Michel Foucault, Discipline & punish: the birth of the prisonVintage Book, New York 1977
> Nancy Scheper-Hughes, Margaret M. Lock, The mindful body: a prolegomen to future work in medical anthropology, in Medical Anthropology Quarterly, 1 (1), pp. 6-41
> Lotcj J.D. Wacquant, Body and soul: ethnographic notebooks of an apprentice-boxer, Oxford University Press, New York 2004

Linguaggi multimediali | Internet of things (corso in italiano e in inglese | course in Italian and English)

> Ayah Bdeir, Chapter 1. The Internet as Material: Empowering the Next Phase of Connected Hardware Innovation, O’Reilly Media, 2005
> Bill Horan, Todd Zielinski, Prototyping Connected Devices, May 4, 2015

La serie serie. Storia e storie delle serie televisive (corso in italiano)

> Donatella Izzo, Cinzia Scarpino, I Soprano e gli altri, I serial televisivi americani in Italia, Rivista di Studi Nordamericani, 36 (XV), 2008

Fenomenologia delle Arti Contemporanee (corso in italiano)

Commissione Europea, Libro verde. Le industrie culturali e creative, un potenziale da sfruttare, Bruxelles, 27.04.2010 COM (2010) 183
> Peter Coy, The Creative Economy, BusinessWeek magazine, 28.08.2000, retrieved 18.08.2006
> Design Council, Design in the knowledge economy 2020 (Report), London, 2010 
> European Community, The entrepreneurial dimension of the cultural and creative industries, Utrecht, 2010 
> Kultur & Kommunikation for Nordic Innovation Centre (2007), Creative Industries Education in the Nordic Countries, 2007
> Elizabeth Lingo, Steven J. Tepper, Looking back, looking forward: arts-based careers and creative work, in Work and Occupations, 2013
UNCTAD, Creative Economy Report 2008. The challenge of assessing the creative economy towards informed policy-making, United Nations, 2008 
UNESCO, Creative Industries 
UNESCO, Culture


 



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Updated:
20 novembre 2019 | November 20th, 2019

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